REVIEW: Inferno #1 is the beginning of the end of Jonathan Hickman on X-Men

With Inferno #1, the end of Jonathan Hickman’s time writing X-Men is upon us, and while the future of these comics remains as fluid as the timelines in this series, if this first issue is any indication, I sure will enjoy Inferno as it’s burning.

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REVIEW: Hellions #1 gives Krakoa a Suicide Squad

By Zack Quaintance — I had been looking forward to the newest X-Men comic — Hellions #1 — since the book was first announced, and in a way, I feel like I’m still looking forward to it. Don’t get me wrong, I read the comic this morning, but Hellions #1 had a lot of setup to do. So much so that it felt like one of those first issues that doesn’t really get our plot moving, instead having a team-building checklist to accomplish before it can introduce storytelling elements like character motivations, dilemmas, threats, and larger goals.

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REVIEW: Giant-Size X-Men: Jean Grey and Emma Frost #1 is an homage with slightly mixed results

By Zack Quaintance — So here were are, roughly six months and change into the newest era of X-Men, led by writer Jonathan Hickman, who penned the status quo upending 12-part series HoX/PoX. Since that concluded in early October, Hickman has written (by my quick count) seven issues of the X-Men main title as well as four issues of New Mutants. Within that, it was announced that he would also be writing another book, Giant-Sized X-Men, which would essentially be a series of one-shots looking specifically at certain mutant characters in the context of the new world that Hickman and his collaborators had created.

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REVIEW: Wolverine #1 perfectly fits creators to the character

By Zack Quaintance — As a writer, I’ve been reading Benjamin Percy’s work for some time, long before I made any sort of move to go from steady reader of comic book trade collections to an active weekly comics blogger. My first exposure to his work came in 2009 or so, when a friend recommended his debut short story collection to me, Refresh, Refresh, which features a blistering title story about the savageness of war...underscored by the deep emotional pain it inflicts upon the communities from which soldiers come. There was a vague interest in technology present as well, plus an ending story that starred a lone man on a motorcycle in the nuclear-weapon scarred Pacific Northwest, fleeing in one memorable scene from a pack of crazed (and maybe mutated?) hounds.

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