REVIEW: Calamity Kate #1 is one smooth debut

Calamity Kate #1 is out 3/13/2019.

By Zack Quaintance — Calamity Kate #1—from Magdalene Visaggio, Corin Howell, Valentina Pinto, and Zakk Saam—has a fantastic first page. You’ll see it should you decide to read this comic (which, I think you should), and you may have already seen it in previews, but I still want to take a moment to talk about how much I liked it here. The creative team does an excellent job pulling the audience’s gaze down through a set of five page-spanning horizontal panels, each one of which unveils a new detail about the titular heroine, Calamity Kate.

It gets the always tricky business of info dumping out of the way in a quick burst, in a way that doesn’t bog down its narrative once it gets going while still telling us most everything we need to know about our character, where she’s at now, and what she seems to want out of life. We learn she’s leaving alone, she’s been eating takeout, her dark apartment is covered in posters of monsters, she was married, she’s been divorced, she has swords, she has a leather jacket. Then at the very bottom, we get her mind state: I’m not dead, far from it.

By page three she’s jumping, teeth gritted and sword drawn at a giant monster, we know pretty much everything we need to be oriented as an audience, and the only reasonable reaction becomes, hell yes, let’s do this!

The intro was perhaps what stood out to me most, but the rest of the comic goes on to be great too. Between this book and Morning in America, writer Magdalene Visaggio continues to make a strong case that she’s one of the best (and most complex) dialogue writers in comics right now. When her characters talk to each other, there’s always a sense that what’s being communicated is a great deal more than what’s being literally said. You can feel strains in friendships, complex histories, and tiny agendas. It makes for well-realized characters and tons of additive interactions.

And it’s not always about the interactions. Sometimes the lines crackle with interesting juxtapositions (this one jumped out at me, I packed up, left my job, left my apartment, and drove west in an old continental and started hunting monsters). Another bit of very solid writing here is how the emphasis of the plot stays on Kate’s emotions. The opening was about her loneliness, first and foremost, with the book (wisely) waiting a bit longer to establish that she’s a famous monster hunter in a world where monsters have become a too-common disaster, not unlike wild fires or mass shootings. It’s a bold move, and it pays off excellently, grounding a genre story in the feelings of real people (my favorite).

Corin Howell, the artist for the series, is also having an ascendent year as a creator, having drawn other notable books like Girl in the Bay and Dark Red. On Calamity Kate, Howell is joined by colorist Valentina Pinto, and the result is what in my opinion is her best artwork yet. The lines are clean and sharp as all get out, and the visuals oscillate seamlessly from anguished quiet moments of honesty to a woman combating scaly drooling creatures with a katana. It all slows super well, and the flourishes really pop, driving the action and big emotional beats in equal parts.

Overall: A really well-done first issue, Calamity Kate is a tight and well-told story with a solid concept and great characters. Come for the famous monster-hunter living in Encino premise, but stay for the quiet look at honesty, friendship, and feeling alone. 9.0/10

Calamity Kate #1
Magdalene Visaggio
Corin Howell
Colorist: Valentina Pinto
Letterer: Zakk Saam
Publisher: Dark Horse Comics
Price: $3.99

For more comic book reviews, check out our review archives.

Zack Quaintance is a tech reporter by day and freelance writer by night/weekend. He Tweets compulsively about storytelling and comics as BatmansBookcase.

ADVANCED REVIEW: Could the vampire comic Dark Red #1 have the smartest things to say about a divided America?

Dark Red #1 is out 3/20/2019.

By Zack Quaintance — Dark Red—perhaps because of its name—is somewhat being billed as a political comic, a vampire thrown into the middle of rural Trump America, and to some extent, it’s definitely that. It starts off with the hero of this story working the all-night shift in a gas station. Chip is getting close to quitting time, which is high stakes for him seeing as he has to get home by sun up. This is (of course) complicated by a couple of drunks, rowdy truck drivers, one who rants like a right wing troll on Twitter and another who wets himself and forces Chip to clean it up.

Our story is off to the races from there, focusing heavily on Chip, his lifestyle, and the misery of living in a dying small town. The worst case scenario for a comic like this is that it becomes an exercise in one-sided, look how dumb and small and hateful and problematic these people are, a narrative that makes a good number of its characters part of some us vs. them cultural conflict. Dark Red gets close at times but doesn’t entirely do that.

Aside from the one truck driver at the start, the handful of characters we do see in this first issue are well-realized people motivated by simple things: the manager who wants the job done, the other truck driver who is embarrassed he couldn’t get to the bathroom in time, the woman who has a rare disease that makes her generate too much blood, thereby putting her at risk for clots and making her a great friend for a vampire. As a result, the central conflict of this comic is not so much us vs. them (a narrative you can find plenty of places these days, often well-executed and poignant), as it is man vs. the place he’s stuck living. That’s a really important distinction.

There’s a lot of setup that has to be done in this first issue, and so we only get a hint of it. It is, however, tantalizing. It occurred to me while reading this comic that we haven’t really had a defining story of what it feels like to be a good person from small town America, at least not since things like the changing economy, globalization, and the opioid crisis rendered those places thoroughly desolate and hardscrabble. Most great books, films, comics, name it...that take on the big city vs. small town divide are from other eras, casting it as a question of excitement vs. boredom, a matter of mostly deliberate choice. Sometimes it has to do with opportunity, but these days that whole conflict has perhaps evolved into something more severe, becoming a question of survival.

And what better hero to have for a story about survival than a schlubby vampire who works in a convenience store, lives in a trailer, and needs human blood to get by? Okay, maybe there is a better character than that, but this is comics, a medium built upon genre extremes, and in that context, I can’t really think of one better. Chip the truck stop vampire is a guy who lives in rural America because the city is too much for him, too intimidating, and he has a passable thing figured out here. There’s some real potential in that. Writer Tim Seely, artist Corin Howell, and letterer Marshall Dillon have hit on a concept that might just use vampires to deliver thought-provoking nuance (I know how that sounds but stick with me…).

In Dark Red #1, they work hard to set that up amid the normal debut issue trappings, the interesting opening and enticing cliffhanger. The real success of the book, obviously, will hinge on what they do later on via the execution. I don’t envy the inherent challenge this concept invites. It’s audacious, to be sure, but fortune favors the bold, in creativity as in many things in life, and from the start, a comic about a vampire in deep red America has been a pretty bold undertaking.

Overall: Dark Red #1 delivers a bold concept and a promising setup. It’s not as political of a comic as its title or cover suggests, with a subtlety of concern likely to be welcome to some readers. I’ll stick with it, because if a vampire comic ends up having the smartest things to say about American in 2019, there’s no way I’m missing that. 8.0/10

Dark Red #1
Tim Seely
Artist: Corin Howell
Letterer: Marshall Dillon
Publisher: AfterShock Comics
Price: $3.99
Release Date: March 20, 2019

For more comic book reviews, check out our review archives.

Zack Quaintance is a tech reporter by day and freelance writer by night/weekend. He Tweets compulsively about storytelling and comics as BatmansBookcase.