Extra Eisners - BEST SINGLE ISSUE/ONE-SHOT - These Savage Shores #5

Overall, THESE SAVAGE SHORES #5 follows through with the same slow-burn carried throughout the previous issues, with the right amount of reveals and a rewarding ending that sinks its teeth in. -Brittany Matter

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Extra Eisners - BEST PUBLICATION FOR KIDS - Lucky Stars by Aron Nel Steinke

Aron Nel Steinke’s “Mr. Wolf’s Class” books, of which “Lucky Stars” is the third volume, have been wholesomely winsome and charming. The latest installment in the series shows the care and growth the character and their relationships, which have blossomed since their first day of school (which is the subject of the first book). As ever, Mr. Wolf and his class of rambunctious (but sweet) fourth graders learn life lessons, develop deep friendships, and overcome the challenges of growing up.

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Extra Eisners - BEST DIGITAL COMIC - Gryffen: Galaxy's Most Wanted

Gryffen: Galaxy’s Most Wanted is weird. It’s intense. It will bring all kinds of emotions to the surface and it will make you crave more, because the world is so fully-realized and the characters are so compelling.

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Extra Eisners - BEST PAINTER/DIGITAL ARTIST - Alex Alice

Alex Alice’s. The French cartoonist behind Castle in the Stars, the graphic novel series at First Second that follows a collection of adventurers as they race to master a substance called aether and become the first to the Moon and beyond, is a unique talent. Few people would be able to deliver a story that could most easily be described as “what if Hayao Miyazaki and Jules Verne collaborated?” and live up to that kind of buildup. And yet, Alice does, and does so in brilliant fashion.

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Extra Eisners - BEST PUBLICATION DESIGN - Tom Muller (Dawn of X)

One of the great unspoken laws of comics is “in-house style” sucks on ice. You know it. I know it. Even your older brother’s friend who still wears the jean vest and swears by his holocovers of the 90’s Rai knows it, though he would be caught dead on the train tracks before he would admit it.

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Extra Eisners - BEST WRITER/ARTIST - Michel Fiffe

My one holdup when nominating Michel Fiffe for the Extra Eisner project is that the dude must have shelf-full of Eisner anyway, and he doesn’t really need another (even fictional) one. Imagine my surprise (shock! Terror!) when I discovered Fiffe’s shelves are quite safe from the threat of Eisner trophy damages: he was given the prize not once!

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Extra Eisners - BEST COVER ARTIST - Matteo Scalera

To those like me who are completely willing to blind-buy a comic based on its art style, a good cover art can be a dangerous thing. Cheesy name, mediocre plotline be damned, if the cover has that dreamy coloring and those pleasing lines that instantly scream serotonin boost, it’s getting bagged and boarded ASAP. One such artist that never fails to deliver on that front is Matteo Scalera.

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Extra Eisners - BEST WRITER - Simon Spurrier

All this to say: I wish Simon Spurrier had been nominated for an Eisner. Perhaps he will some day, but it’s painful to see a writer put out the best work of his career so far and receive no accolades for it. -Hussein Wasiti

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Extra Eisners - BEST ADAPTATION FROM ANOTHER MEDIUM - Star Wars: Lost Stars

The manga adaptation of Claudia Gray's novel, Yusaku Komiyama's Star Wars: Lost Stars, is a heart-wrenching romance set among the rise of the Empire and the Rebellion against it. The book explores how citizens of the galaxy could be seduced by the unity and opportunity offered by the authoritarianism of the Empire provides. Eventually, the true nature of the Empire can no longer be denied or overlooked and tough choices, obviously, must be made. The characters are fascinating and the story is layered and poignant, touching on classism, cultural prejudice, the effects of war, and more.

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Extra Eisners - BEST U.S. EDITION OF INTERNATIONAL MATERIAL (ASIA) - No Longer Human by Junji Ito

I am the first to admit that I am something of a neophyte when it comes to manga. As a critic, I’ve tried to allow myself room to grow in that regard and I feel like I’ve done a decent job at this last year. I resolved myself to take in more of the “canon” of this massive medium, both in reading for work and for pleasure throughout this ongoing Year of Hell that we’ve all collectively experienced. And am I truly glad I did, because that allowed me to experience No Longer Human.

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Extra Eisners - BEST COLORING - Brad Simpson

If you were following indie comics in 2019, especially the ones with a flavor of the weird in them, you probably read something colored by Brad Simpson. The standouts to me were Black Stars Above and Coffin Bound, two of last year’s finest examples of a very good year for weird horror.

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Extra Eisners - BEST WEB COMIC - Castle Swimmer by Wendy Lian Martin

Castle Swimmer by Wendy Lian Martin is sure to take your breath away, and not just because it’s set in an underwater world: from the incredibly expressive characters to the incredible colors to the gorgeous seascape settings, this Webtoon series offers readers the opportunity to fully immerse themselves.

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Extra Eisners - BEST GRAPHIC ALBUM REPRINT - Fearscape

While there are many good contenders in the Eisner's "Best Limited Series" category, it continues to concern me that the world at large is not as actively enamored with "Fearscape" as I am. In "Fearscape," the creative team of Ryan O'Sullivan, Andrea Mutti, Vladimir Popov, and Andworld Design deliver a tightly woven saga of the mythical realm of storytelling inspiration, and most importantly, the world's most captivating-yet-omg-he's-the-worst artist, Henry Henry, as narrator.

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Extra Eisners - BEST NEW SERIES - The Plot

Alright, so, you have a Best New Series category...and it didn’t include The Plot. For those who don’t know, The Plot is a horror comic put out by Vault Comics. It was the launch title for their Nightfall line, a line of comics purely for horror. It’s co-written by Michael Moreci and Tim Daniel, with art by Joshua Hixson, colors by Jordan Boyd, and letters by Jim Campbell. It was also one of the only comics I can remember that launched with universal praise...for every issue.

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Extra Eisners - BEST HUMOR PUBLICATION - Nancy, A Comic Collection

It takes a lot of skill to create something that feels both fresh and classic, and Olivia Jaimes’ Nancy does just that. This new Nancy may enjoy video games and have some friends who are not Sluggo, but she’s still Nancy. She’s still funny, she’s still self-absorbed, and she’s still, above all, wonderfully lazy.

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Extra Eisners - BEST U.S. EDITION OF INTERNATIONAL MATERIAL - Small House from 2000 AD

“Best U.S. Edition of International Material” is one of the technical awards categories. What it basically means is “this comic was published in a different language... but now there’s an English-language version we’ll recognise it for awards eligibility”. You know like how foreign-language films never won the big Oscars until recently, because they were shunted to one side and other categories they couldn’t escape? It’s a bit like that.

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Extra Eisners - BEST LETTERING - Aditya Bidikar

Aditya Bidikar has been doing terrific work for a good while now, lettering everything from Grant Morrison comics about Indian mythology to wonderfully idiosyncratic books like Grafity's Wall. But his work really seemed to have hit a fever pitch in 2019, as he was at an all-time high, performing better, and bigger, than I'd ever seen him.

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Extra Eisners - BEST CONTINUING SERIES - Ice Cream Man

Omitting Ice Cream Man, the ongoing series by writer W. Maxwell Prince, artist Martin Morazzo and colorist Chris O’Halloran, is an amazing failure of vision. Is the book too weird? Too different? Too good? I’m not here to make excuses for the Eisner judges — only to question their judgment and exactly what the hell they think they’re doing.

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