By d. emerson eddy — Since the first issue, Self/Made has been about change. Unexpected change and strange revelations, but change nonetheless, going from one state of being to the next. A large part of that has been rooted in playing with genre conventions and upending the status quo from issue to issue, so I don't want to go into detail about the plot so much, but I will say that the structure of revealing layers upon layers as the story progresses, like an onion, is one of the freshest narrative methods I've seen in some time. It's not so much an “everything you know is wrong” type of shock, but a continuous evolution of perspective. There is always…