Comic of the Week: Die #6 is the next chapter in one of the best new series in recent memory

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By d. emerson eddy — Die was easily one of the best new series to begin late last year. The series taps into the magic and wonder of roleplaying games, both in terms of the mechanics and experience of playing them, as well as the limitless imagination that goes into constructing them. The world-building that writer Kieron Gillen and artist Stephanie Hans have put into creating this world is practically incomparable to anything else. It's deep, incorporating influences from fantasy and literature, which shows even further in the actual working pen & paper RPG that Gillen is developing to compliment the comic.

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Comic of the Week: Knights Temporal #1 is another strong book from AfterShock

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By d. emerson eddy — For awhile now, AfterShock Comics has been amassing a very solid library of vastly-diverse high-quality genre comics including horror, fantasy, adventure, thriller, science fiction, and more. The strength of the publisher's catalogue is incredible, and it just keeps growing. Contributing to that catalogue in a number of ways has been Cullen Bunn, who with his collaborators, has given us Unholy Grail, Brothers Dracul, and Dark Ark. Each kind of recontextualizing history and folklore into stories somewhat at the periphery of horror, and in the first two a gritty adventure sensibility similar to something like Conan. Knights Temporal #1 shares some of that sensibility, but feels wholly original.

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Comic of the Week: Justice League Dark #13 is a great microcosm of what makes this series work

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By d. emerson eddy — Spinning out of the Justice League: No Justice weekly series and event last summer that redefined crucial elements of the DC Universe's cosmogony and fundamental forces, Justice League Dark has for the past year or so explored DC’s magical corners. Sometimes delicately, sometimes with a giant hammer smashing it to bits in order to forge something new. The series has wonderfully been navigating the connective tissue of the characters filling out DC's “sophisticated suspense” of '80s, the Shadowpact explorations of the '00s, and the weirdness beyond, while building upon a new foundation for whatever comes next. Justice League Dark #13 does…

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Comic of the Week: Why Collapser #1 is a perfect offbeat addition to Young Animal

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By d. emerson eddy — Collapser #1 is the second of a new wave of comics from DC's Young Animal, presenting more weird and unique approaches to superheroes. The series introduces us to Liam James, a young man going through a kind of coming-of-age as he tries to find himself, caught between working as a retirement home attendant and a late night DJ trying to make it big. The plot begins when Liam stumbles into weirdness inherited from his mother. It appears to be removed from the standard DC Universe, but there's still a lot to be revealed in this series.

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Comic of the Week: Critical Role: Vox Machina Origins – Series II #1...phew!

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By d. emerson eddy —  Critical Role could be considered a kind of cultural phenomenon in mainstream appeal of Dungeons & Dragons, helping bring interest and entertainment to the game, both to playing and to watching others, all through the adventures of a group of “nerdy-ass voice actors” every Thursday night. Critial Role started small with a stream on Geek & Sundry's Twitch channel and has now ballooned into a multimedia juggernaut, a growing company with numerous productions, its own merchandise, and one of the largest crowdfunding campaigns to finance an animated series (it was originally just a special and then ballooned with donations and stretch goals) based on the characters from its first campaign. Critical Role also had a comic series in 2017 that served as an introduction to the characters and a gathering of the team.

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Comic of the Week: No One Left to Fight #1 asks, what happens after the big battle?

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By d. emerson eddy — There's been an interesting resurgence of stories recently that endeavor to tell the story of what happens after the happily ever after (or the opposite) at the end of a tale. Basically, filling in the what's next after the end of a story. Not as a sequel or a deconstructionist take on a particularly genre, but an attempt to explore what happens once the big fight, the big world-saving struggle, is over and there's seemingly a jarring absence of purpose. No One Left to Fight #1 embraces that literally in its title, as we're treated to the beginning of the story of what happens when a hero who has saved the world countless times realizes that there's no one left to fight.

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Comic of the Week: Canto #1 is offbeat, thought-provoking, heartrending, and more

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By d. emerson eddy — In the past few years, we as readers have become absolute gluttons for unique, personal stories told in comics that come at storytelling from oblique angles, presenting things that are offbeat, thought-provoking, and often heartrending. Stories that embrace the limitless possibilities of comics and tell something new. Canto is one of these stories, catching me off guard with its simplicity and beauty. It's a fable in the vein of Edward Scissorhands or 9, of potential constructs proving that they're more than the sum of their parts.

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Comic of the Week: Hellboy and the BPRD - The Beast of Vargu is a new beginning

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By d. emerson eddy — Hellboy and the BPRD: The Beast of Vargu is kind of a new beginning for the title. It does not follow the previous yearly format, and it is not the expected “#26 in a series”, as it essentially becomes the new heart of the Hellboy universe since BPRD itself has now finished. And it does so with the creative team responsible for some of my personal favorite Hellboy stories in the Wild Hunt Arthurian trilogy and The Midnight Circus. It's an interesting and welcome choice to start off this new era with a one-shot tale from Mike Mignola, Duncan Fegredo, Dave Stewart, and Clem Robins, offering an easily accessible tale for new…

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Comic of the Week: Event Leviathan #1, a gateway to an intriguing superhero espionage story

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By d. emerson eddy — The “Leviathan” crossover has been building at DC Comics for a while now, starting with the “Leviathan Rising” storyline in Action Comics and then coming to a head two weeks ago in the Superman: Leviathan Rising Special. We've seen the intelligence community in the DC Universe shaken to its core, with entire organizations obliterated, seemingly, by Leviathan. Even that organization itself has seen a kind of upheaval, as Talia al Ghul no longer seems to be its head, and a new unknown character calling himself (or herself, who knows?) “Leviathan” has taken over the reins. To what end no one knows yet.

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Comic of the Week: Thumbs is a brilliant level up by the creators of The Few

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By d. emerson eddy — These days it feels like practically everyone is a gamer. Whether it's on a console, PC, or mobile device , we all seem to be playing something. Even businesses have apparently been working in a gamification process for workplace activities, if reports on Amazon practices are to be believed. Indeed, the widespread popularity and acceptance of gaming seems to have permeated Western culture, with all eyes turned to coverage of announcement conventions like E3 and what feels like every kid on the planet playing games like Fortnite, Overwatch, Team Fortress 2, Playerunknown's Battlegrounds, and old stalwarts like Call of Duty and Battlefield.

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Comic of the Week: Road of Bones #1

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By d. emerson eddy — The Kolyma Highway was a project started in 1932, utilizing criminals (ones having committed what we'd generally consider an actual crime and others who were essentially railroaded through to fill labour quotas) to build a road in the Far East of the USSR. Conditions were reportedly cruel and harsh, hard living in an arctic and sub-arctic region with little when it came to food or shelter, workers collapsing with regularity, giving the highway its name of the Road of Bones. It's this history that Rich Douek, Alex Cormack, and Justin Birch tap into in the first issue of this horror series, Road of Bones.

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Comic of the Week: Last Stop on the Red Line #1 is an intriguing mix of crime and horror

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By d. emerson eddy — There are many different kinds of horror. Some horror stories are straightforward monster tales, with a slasher out to get you. Others are more insidious, doling out terror via psychological means. Recently, there has been a push towards mixing the sub-genres, working through ideas and themes that are common across them, and presenting a more cerebral kind of horror, utilizing the things that go bump in the night to make you think about more of the existential terrors in your everyday life. Last Stop on the Red Line #1 appears to be one of those things.

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Comic of the Week: Friendly Neighborhood Spider-Man #6, a poignant story of everyday heroics

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By d. emerson eddy — Every now and again there is a story in comics that kind of blindsides you, something profound, poignant, and moving that seemingly comes out of nowhere. Stories that tackle difficult subject matter in a heartfelt, intelligent way that often can only be told through the allegory of super-heroes and how powerless even godlike beings are in the face of certain forces. Marvel has done a number of these in recent years, including the gun issue of Champions #24, and Deadpool #20's handling of a suicidal girl. Friendly Neighborhood Spider-Man #6 doesn’t quite deal with a big issues topic, like gun control or suicide, but it’s…

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Comic of the Week: Self/Made #6 is a layered and complex finale

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By d. emerson eddy — Since the first issue, Self/Made has been about change. Unexpected change and strange revelations, but change nonetheless, going from one state of being to the next. A large part of that has been rooted in playing with genre conventions and upending the status quo from issue to issue, so I don't want to go into detail about the plot so much, but I will say that the structure of revealing layers upon layers as the story progresses, like an onion, is one of the freshest narrative methods I've seen in some time. It's not so much an “everything you know is wrong” type of shock, but a continuous evolution of perspective. There is always…

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Comic of the Week: Ghost Tree #1 is a well-done opening chapter for a horror story

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By d. emerson eddy — I'm a sucker for fairy tales, folklore, and mythology. It doesn't really matter to me where it's from, I'm always interested in what different cultures and peoples came up with for their morality tales, for their explanations of natural events, and everything that formed their core beliefs. There's often a lot of overlap and similarities between the stories, but also some very unique differences that give a perspective to how a culture, or parts of a culture, thinks about certain concepts. Like household gods or ancestors being tied to a family's home serving them as a kind of supernatural protector. And I enjoy seeing differing cultures interpret those folktales from other lands, though I can certainly understand people being put off by…

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Comic of the Week: B.P.R.D. Devil You Know #15 is the end of an epic

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By d. emerson eddy — Hellboy celebrated its 25th anniversary just last month. Honouring the plucky little creation of Mike Mignola that began in 1994 featuring a red demon with a funny hand, a pyrokinetic, and a fish guy in a bad disguise searching out frog monsters and a Russian madman. That initial series, Hellboy: Seed of Destruction, planted a figurative seed in the imagination of the world and it would bloom into a multimedia juggernaut. Bearing fruit in the form of Sir Edward Grey: Witchfinder, Lobster Johnson, Abe Sapien, and others, as well as…

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Comic of the Week: Invaders #4 and Namor’s secret history

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By d. emerson eddy — Since his surprise heel turn in the most recent volume of The Avengers, Namor has been a difficult character to pin down. This has been true of his motivations and actions lately through the stories in that series, as well as in the Defenders: The Best Defense crossover, and here in the new Invaders series, too. His erratic mood swings, as he went back and forth seemingly indiscriminately between hero and villain, were once explained by an “oxygen imbalance” in his blood, but we were told earlier in this series that this isn't the case now. With all that in mind, this issue begins to explain Namor's hidden history and how it might feed into why…

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Comic of the Week: Jim Henson's The Storyteller - Sirens #1

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By d. emerson eddy — Jakub Rebelka is one of BOOM Studios! secret weapons. Like Dan Mora, he's an artist that always turns in interesting, captivating, and beautiful artwork for the company, deeply enriching whichever project that he's working on with his unique character compositions and approach to color. His shapes, lines, and the appearance of almost a mix….

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Comic of the Week: Martian Manhunter #4

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By d. emerson eddy — I often spotlight a comic starting a new arc, launching with a new #1 issue, standing alone as a contained story, or ranking as the finale of  a series. I do this because it's easy to talk about a jumping on point or a finished arc as a whole. It gives you a good amount of material to write about in order to entice readers into the world that the creators are building. It's not as easy to pick …

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Comic of the Week: Dungeons and Dragons - A Darkened Wish #1, another excellent comic based on the RPG

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Dungeons & Dragons: A Darkened Wish #1 is out now.

By d. emerson eddy — For some time now IDW has been producing entertaining Dungeons & Dragons comics, with some of the most recent stories following an adventuring party made-up of many pre existing characters from the video games. These books have been largely written by Jim Zub, and the most recent was a hilarious and fitting crossover with Rick and Morty. This new mini-series promises new characters and a new beginning on the Sword Coast of Faern. I suppose it's fitting to set it within the Forgotten Realms campaign setting, since there's a lot of world-building already accomplished, allowing the creators a lot of toys and rules to play with, including some new favorites like kenku, a race of crow-like avians that can mimic the sounds of others.

After starting in the middle of a chaotic battle, B. Dave Walters, Tess Fowler, Jay Fotos, and Tom B. Long flashback to introduce us to a group of adventurers through the point of view of a young wizard, Helene, and her friends as they leave their hometown for the promise of adventure with the White Sails mercenary company. We get some interesting characters in the twins, Karrin and Kerrin, the kenku, Solivigant, and the mysterious dragonborn, Rayonde. Through misadventure following a trip to a tavern, we definitely get the impression that Helene and her friends, new and old, are a bit out of their depth, but still capable at this early stage. Contrasting the formation of the party versus the battle in the present is compelling, hooking us well into trying to figure out what's going on and what happened to move the characters to this point. It's a great set-up for the story and characters, also giving that anticipation for what happens next that you often tend to feel when playing D&D.

What elevates the story even further is the gorgeous artwork from Tess Fowler and Jay Fotos. Fowler is a master of fantasy art, from her work on Rat Queens through to her artwork featuring the characters from Critical Role. She expertly captures and presents unique and captivating designs for human and non-human fantasy characters, giving an immense level of detail when it comes to populating and filling this fantasy world. Just the opening splash page alone gives us a breadth of different and unique attacking forces of Morayans and it only gets more fascinating from there as we're guided through our main cast and finally getting to Mintarn.

Jay Fotos enhances the line art with a rich colorful palette, well-fitting the fantasy setting, with some very nice effects when it comes to depicting magic. The action scenes, in particular, like the opening battle and an early fight with a pack of wolves, show a very nice variety to how Fowler and Fotos are working together to create some visually interesting sequences. Tom B. Long also nicely embellishes the story with some banner-like headers for sequence starts that adds to the feel of the fantasy world.

Overall, I've been impressed with this first issue from Walters, Fowler, Fotos, and Long. It has some richly developed characters and an intriguing hook to see what happens to the party, all with some beautiful artwork.

Dungeons & Dragons: A Darkened Wish #1
Writer: B. Dave Walters
Artist: Tess Fowler
Colorist: Jay Fotos
Letterer: Tom B. Long
Publisher: IDW
Price: $3.99

Check out more of d. emerson eddy’s Comic of the Week feature on our Lists Page.

d. emerson eddy is a student and writer of things. He fell in love with comics during Moore, Bissette, & Totleben's run on Swamp Thing and it has been a torrid affair ever since. His madness typically manifests itself on Twitter @93418.